Accreditation Form

34th European Film Awards
Berlin

PLEASE NOTE:

Accreditation to the European Film Awards is limited to people who have been fully vaccinated against Covid-19 or who have recovered after a Covid-19 infection – provided they do not show typical Covid-19 symptoms.

A proof of vaccination or recovery must be digitally verifiable with an EU Digital COVID Certificate – printed QR codes are also digitally verifiable.

The mask requirement and the requirement to maintain a minimum distance will then no longer apply indoors.

For more detailed and up-to-date information on traveling to Germany, as well as a current list of risk areas, please visit the web pages of the Federal Foreign Office of Germany.

1. Personal data

Are you a EFA Member?

Yes No

First name

Last name

Phone

E-mail

CC to (editor, assistant) Optional

2. Represented media outlet

Name of media outlet

Section / programme Optional

Company address

Street address

Postal code

City

Contact

Phone

General e-mail

Media type and language

Other

Language(s)

Position

Other

Editor’s confirmation

I hereby confirm that the representative has been commissioned to report from the European Film Awards

Full name

Postal code

Phone

E-mail

Date

City

3. Type of accreditation

Photo TV Media

Additional comments

I agree to the following Terms and Conditions of the media accreditation procedure of the European Film Academy for the European Film Awards

By submitting the accreditation form, the media representative accepts and agrees to the following:

The entered and transmitted personal data will be stored in the European Film Academy database and used to contact you in connection with the accreditation process and for information purposes concerning the European Film Awards.

Representative’s name, media outlet and country may be passed on to other accredited media representatives, to our partners, sponsors and funding institutions, as well as to the agents of the nominees and winners of the European Film Awards. Furthermore, this information may be stored in order to fulfill our reporting obligations to the funding institutions and for other statistical evaluation.

Other personal data will be deleted as soon as the purpose for retaining such data ceases to apply, i.e. four weeks after the European Film Awards took place. Notwithstanding the generality of the foregoing, data may be stored if required by Union of Member State law to which we are subject.

Data will also be blocked or deleted if a retention period prescribed by laws and regulations expires, unless there is a need for further storage of the data for the conclusion of fulfillment of a contract.

Please note that during all official events of the EFA Weekend photo and video recordings are made, which may be used in digital and/or in printed media for press information and public relations. For details please see our Privacy Policy.

Participating in the European Film Awards implies the unconditional acceptance of the above conditions.

The data protection officer of European Film Academy e.V. is Rainer Pyls. He may be contacted using the contact details provided above as well as at privacy@europeanfilmacademy.org. For further information please see our Privacy Policy.

20 Jun 2024

In Memoriam Anouk Aimée

Since the late 1940s, the French actress Anouk Aimée performed in more than 70 feature films, many of them directed by famous filmmakers. She made her debut, then still as Françoise Dreyfus, at the age of fourteen, in THE HOUSE UNDER THE SEA (1946) by Henri Calef, and adopted her character’s name afterwards.

She worked with Federico Fellini on LA DOLCE VITA (1960) as the mysterious and melancholic Maddalena and again on 8 1/2 (1963), in both films alongside Marcello Mastroianni. In Jacques Demy’s feature film debut LOLA (1961), she was the protagonist, a cabaret dancer and single mother – for which she was nominated for a BAFTA.

Among her greatest successes was her performance as the widow Anne Gauthier in Claude Lelouch’s A MAN AND A WOMAN (1966) alongside Jean-Louis Trintignant. After winning the Palme d’Or in Cannes, the film became an international success, winning two Oscars and a Golden Globe and getting Anouk Aimée an Oscar nomination and a BAFTA.

She collaborated with André Delvaux’s on ONE NIGHT… A TRAIN (1968), with George Cukor on JUSTINE and Sidney Lumet on THE APPOINTMENT (both 1969), with Bernardo Bertolucci on TRAGEDY OF A RIDICULOUS MAN (1981), and with Robert Altman on PRET-A-PORTER (1994).

In 1979, Anouk Aimée received a César for MON PREMIER AMOUR by Élie Chouraqui, in 1980 she won Best Actress in Cannes for A LEAP IN THE DARK by Marco Bellocchio.

Besides her presence in French cinema, Anouk Aimée’s career included films made in Germany, Italy, Spain, the UK and the USA, and she received an Honorary César in 2002 and an Honorary Golden Berlin Bear in 2003.

Anouk Aimée passed away on 18 June in Paris. We will miss her.