Accreditation Form

34th European Film Awards
Berlin

PLEASE NOTE:

Accreditation to the European Film Awards is limited to people who have been fully vaccinated against Covid-19 or who have recovered after a Covid-19 infection – provided they do not show typical Covid-19 symptoms.

A proof of vaccination or recovery must be digitally verifiable with an EU Digital COVID Certificate – printed QR codes are also digitally verifiable.

The mask requirement and the requirement to maintain a minimum distance will then no longer apply indoors.

For more detailed and up-to-date information on traveling to Germany, as well as a current list of risk areas, please visit the web pages of the Federal Foreign Office of Germany.

1. Personal data

Are you a EFA Member?

Yes No

First name

Last name

Phone

E-mail

CC to (editor, assistant) Optional

2. Represented media outlet

Name of media outlet

Section / programme Optional

Company address

Street address

Postal code

City

Contact

Phone

General e-mail

Media type and language

Other

Language(s)

Position

Other

Editor’s confirmation

I hereby confirm that the representative has been commissioned to report from the European Film Awards

Full name

Postal code

Phone

E-mail

Date

City

3. Type of accreditation

Photo TV Media

Additional comments

I agree to the following Terms and Conditions of the media accreditation procedure of the European Film Academy for the European Film Awards

By submitting the accreditation form, the media representative accepts and agrees to the following:

The entered and transmitted personal data will be stored in the European Film Academy database and used to contact you in connection with the accreditation process and for information purposes concerning the European Film Awards.

Representative’s name, media outlet and country may be passed on to other accredited media representatives, to our partners, sponsors and funding institutions, as well as to the agents of the nominees and winners of the European Film Awards. Furthermore, this information may be stored in order to fulfill our reporting obligations to the funding institutions and for other statistical evaluation.

Other personal data will be deleted as soon as the purpose for retaining such data ceases to apply, i.e. four weeks after the European Film Awards took place. Notwithstanding the generality of the foregoing, data may be stored if required by Union of Member State law to which we are subject.

Data will also be blocked or deleted if a retention period prescribed by laws and regulations expires, unless there is a need for further storage of the data for the conclusion of fulfillment of a contract.

Please note that during all official events of the EFA Weekend photo and video recordings are made, which may be used in digital and/or in printed media for press information and public relations. For details please see our Privacy Policy.

Participating in the European Film Awards implies the unconditional acceptance of the above conditions.

The data protection officer of European Film Academy e.V. is Rainer Pyls. He may be contacted using the contact details provided above as well as at privacy@europeanfilmacademy.org. For further information please see our Privacy Policy.

3350 KM

3350 KM
٣٣٥٠
France, Syria, documentary, experimental, 13′

SYNOPSIS

Father and daughter have been separated by 3,350 kilometres for seven years. He lives in Syria, she lives in exile. All they have left is to talk on the internet.

CREDITS

Directed by: Sara Kontar
Cinematography: Sara Kontar
Editing: Laure Despres-Khatib
Sound: Rita Mahmoud

STATEMENT OF THE DIRECTOR

From my room in Paris, in exile, after spending seven years away from my home in Syria, far from my father who remains alone with the ghosts of the past and the lost future – as he always tells me – I began recording our phone conversations over the internet.

Through these often-interrupted exchanges, he tells me about the situation in the country, his daily life from which I am distant, his solitude, his pain, and his feelings. I film this screen that both brings us closer and separates us, this pixelated frame that represents my only window of communication. Among the specks of dust, I discern my erased memories that fade a little more each day, my life from which I have been cut off, and my country, to which I cannot return.

This film is a short documentary, but also a brief and personal investigation into the Syrian experience and the relationship between exile and homeland, between my father and me, the stranger abroad and the stranger within. All that connects us is a choppy sound through which we try to be together.