Accreditation Form

34th European Film Awards
Berlin

PLEASE NOTE:

Accreditation to the European Film Awards is limited to people who have been fully vaccinated against Covid-19 or who have recovered after a Covid-19 infection – provided they do not show typical Covid-19 symptoms.

A proof of vaccination or recovery must be digitally verifiable with an EU Digital COVID Certificate – printed QR codes are also digitally verifiable.

The mask requirement and the requirement to maintain a minimum distance will then no longer apply indoors.

For more detailed and up-to-date information on traveling to Germany, as well as a current list of risk areas, please visit the web pages of the Federal Foreign Office of Germany.

1. Personal data

Are you a EFA Member?

Yes No

First name

Last name

Phone

E-mail

CC to (editor, assistant) Optional

2. Represented media outlet

Name of media outlet

Section / programme Optional

Company address

Street address

Postal code

City

Contact

Phone

General e-mail

Media type and language

Other

Language(s)

Position

Other

Editor’s confirmation

I hereby confirm that the representative has been commissioned to report from the European Film Awards

Full name

Postal code

Phone

E-mail

Date

City

3. Type of accreditation

Photo TV Media

Additional comments

I agree to the following Terms and Conditions of the media accreditation procedure of the European Film Academy for the European Film Awards

By submitting the accreditation form, the media representative accepts and agrees to the following:

The entered and transmitted personal data will be stored in the European Film Academy database and used to contact you in connection with the accreditation process and for information purposes concerning the European Film Awards.

Representative’s name, media outlet and country may be passed on to other accredited media representatives, to our partners, sponsors and funding institutions, as well as to the agents of the nominees and winners of the European Film Awards. Furthermore, this information may be stored in order to fulfill our reporting obligations to the funding institutions and for other statistical evaluation.

Other personal data will be deleted as soon as the purpose for retaining such data ceases to apply, i.e. four weeks after the European Film Awards took place. Notwithstanding the generality of the foregoing, data may be stored if required by Union of Member State law to which we are subject.

Data will also be blocked or deleted if a retention period prescribed by laws and regulations expires, unless there is a need for further storage of the data for the conclusion of fulfillment of a contract.

Please note that during all official events of the EFA Weekend photo and video recordings are made, which may be used in digital and/or in printed media for press information and public relations. For details please see our Privacy Policy.

Participating in the European Film Awards implies the unconditional acceptance of the above conditions.

The data protection officer of European Film Academy e.V. is Rainer Pyls. He may be contacted using the contact details provided above as well as at privacy@europeanfilmacademy.org. For further information please see our Privacy Policy.

A Sunday in the Country 2013 Poland

25 – 28 July 2013 in Wroclaw, Poland

As the New Horizons film festival in Wroclaw was coming to an end, a small group of cinephiles gathered in an experimental-looking house outside the city next to the forest: eight young film critics and journalists from Belgium, the Czech Republic, Hungary, Poland, Portugal and Switzerland who met for three days to watch films, discuss and exchange ideas and experiences. They met with EFA Members Jakub Duszynski, distributor from Poland, and Peter Paul Huth, veteran film critic for German broadcaster ZDF.

Throughout the weekend, they watched WHAT’S THIS FILM CALLED LOVE? by Mark Cousins (UK), NOCHE by Leonardo Brzezicki (Argentina), FLOATING SKYSCRAPERS by Tomasz Wasilewski (Poland) and L’INCONNU DU LAC by Alain Guiraudie (France). They cooked for and ate with Polish critic & jury member Błażej Hrapkowicz and with the directors Mark Cousins, Leonardo Brzezicki and Tomasz Wasilewski. Most of all, they got to know each other and discussed, sometimes passionately, their views, over breakfast, after screenings, while preparing dinner, around a bonfire and pool, and well into the night: What’s the responsibility, if there is one, of a critic towards (national) film productions? And towards the reader? What is the reality for film critics in different countries? Who are idols in film journalism? How realistically should sex be portrayed in film?

This was the second edition of A SUNDAY IN THE COUNTRY bringing together film critics and journalists to discuss outside of the restraints and busy schedules of festivals and offices, to share their different experiences and, possibly above all, their passion for film. Presented together with the T-Mobile New Horizons International Film Festival it was again possible to bring in some filmmakers, not to do a round-table interview or press conference, but to join this funny little family that had just cooked them dinner.

PARTICIPANTS:
Bartosz Czartoryski, Poland
Nicolas Gilson, Belgium
Bálint Kovács, Hungary
Luís Mendonça, Portugal
Adriana Prodeus, Poland
Ola Salwa, Poland
Tomas Stejskal, Czech Republic
Muriele Weber, Switzerland

EXPERT:
Peter Paul Huth, Germany

GUESTS:
Leonardo Brzezicki, director, Argentina
Mark Cousins, director, UK
Błażej Hrapkowicz, film critic, Poland
Tomasz Wasilewski, director, Poland

Accreditation Form

1. Personal data

Are you a EFA Member?

2. Represented media outlet

Company address

Contact

Media type and language

Position

Editor’s confirmation

3. Type of accreditation

Thank you for submitting the accreditation application, we will contact you shortly!

A Sunday in the Country 2013 Poland