Accreditation Form

34th European Film Awards
Berlin

PLEASE NOTE:

Accreditation to the European Film Awards is limited to people who have been fully vaccinated against Covid-19 or who have recovered after a Covid-19 infection – provided they do not show typical Covid-19 symptoms.

A proof of vaccination or recovery must be digitally verifiable with an EU Digital COVID Certificate – printed QR codes are also digitally verifiable.

The mask requirement and the requirement to maintain a minimum distance will then no longer apply indoors.

For more detailed and up-to-date information on traveling to Germany, as well as a current list of risk areas, please visit the web pages of the Federal Foreign Office of Germany.

1. Personal data

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2. Represented media outlet

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3. Type of accreditation

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I agree to the following Terms and Conditions of the media accreditation procedure of the European Film Academy for the European Film Awards

By submitting the accreditation form, the media representative accepts and agrees to the following:

The entered and transmitted personal data will be stored in the European Film Academy database and used to contact you in connection with the accreditation process and for information purposes concerning the European Film Awards.

Representative’s name, media outlet and country may be passed on to other accredited media representatives, to our partners, sponsors and funding institutions, as well as to the agents of the nominees and winners of the European Film Awards. Furthermore, this information may be stored in order to fulfill our reporting obligations to the funding institutions and for other statistical evaluation.

Other personal data will be deleted as soon as the purpose for retaining such data ceases to apply, i.e. four weeks after the European Film Awards took place. Notwithstanding the generality of the foregoing, data may be stored if required by Union of Member State law to which we are subject.

Data will also be blocked or deleted if a retention period prescribed by laws and regulations expires, unless there is a need for further storage of the data for the conclusion of fulfillment of a contract.

Please note that during all official events of the EFA Weekend photo and video recordings are made, which may be used in digital and/or in printed media for press information and public relations. For details please see our Privacy Policy.

Participating in the European Film Awards implies the unconditional acceptance of the above conditions.

The data protection officer of European Film Academy e.V. is Rainer Pyls. He may be contacted using the contact details provided above as well as at privacy@europeanfilmacademy.org. For further information please see our Privacy Policy.

A Sunday in the Country 2018 Poland

It was by now the seventh edition of the EFA’s networking activity A SUNDAY IN THE COUNTRY for young film critics & journalists: The idea, as always, was to learn from each other through the exchange of experience and to build border-crossing personal networks. Organised in co-operation with the New Horizons International Film Festival Wroclaw, the meeting again took place at Fregata in Zagórze Śląskie, Lower Silesia.

A group of nine participants spent the days watching films and discussing them, cinema and cinephilia in general, and life as a film journalist. In between there was cooking and eating together, and networking in a charming old guest house by the Bystrzyckie lake. Expert for this edition was the Swedish critic Hynek Pallas.

After an introduction circle on Sunday night, the screening programme kicked off on Monday with HOLIDAY. The Swedish director Isabella Eklöf had already joined the group the day before and now engaged in an intense and passionate debate before lunch. Next was former SUNDAY participant Kuba Mikurda who made LOVE EXPRESS, about Polish director Walerian Borowczyk, and a discussion about film critics turning into filmmakers. After lunch the programme led to ANOTHER DAY OF LIFE, the animated documentary about legendary Polish (war) reporter Ryszard Kapuściński. Guests to discuss with the group were director/animator Damian Nenow and producer Jaroslaw Sawko.

After breakfast on Tuesday, the group watched MILLA by Valérie Massadian. After a great discussion with the director, the final film was the v-log like essay MY FRIEND THE POLISH GIRL by Ewa Banaszkiewicz and Mateusz Dymek, followed by a lively conversation about responsibility, in politics and in art.

The group was composed of nine people from eight different countries: Alexander Zwart (Netherlands), András Huszár (Hungary), Diana Dąbrowska (Poland), Irina Trocan (Romania), Kornelia Sobczak (Poland),
Maria Bjerregaard (Denmark), Matteo Berardini (Italy), Stefanie Borowsky (Germany) and Yael Hirsch (France).

The project was organized by the European Film Academy and New Horizons Association with the support of the Polish Film Institute, the local cultural institutes and the Krzysztof Mętrak competition for young film critics.

Accreditation Form

1. Personal data

Are you a EFA Member?

2. Represented media outlet

Company address

Contact

Media type and language

Position

Editor’s confirmation

3. Type of accreditation

Thank you for submitting the accreditation application, we will contact you shortly!

A Sunday in the Country 2018 Poland