Accreditation Form

34th European Film Awards
Berlin

PLEASE NOTE:

Accreditation to the European Film Awards is limited to people who have been fully vaccinated against Covid-19 or who have recovered after a Covid-19 infection – provided they do not show typical Covid-19 symptoms.

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The mask requirement and the requirement to maintain a minimum distance will then no longer apply indoors.

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1. Personal data

Are you a EFA Member?

Yes No

First name

Last name

Phone

E-mail

CC to (editor, assistant) Optional

2. Represented media outlet

Name of media outlet

Section / programme Optional

Company address

Street address

Postal code

City

Contact

Phone

General e-mail

Media type and language

Other

Language(s)

Position

Other

Editor’s confirmation

I hereby confirm that the representative has been commissioned to report from the European Film Awards

Full name

Postal code

Phone

E-mail

Date

City

3. Type of accreditation

Photo TV Media

Additional comments

I agree to the following Terms and Conditions of the media accreditation procedure of the European Film Academy for the European Film Awards

By submitting the accreditation form, the media representative accepts and agrees to the following:

The entered and transmitted personal data will be stored in the European Film Academy database and used to contact you in connection with the accreditation process and for information purposes concerning the European Film Awards.

Representative’s name, media outlet and country may be passed on to other accredited media representatives, to our partners, sponsors and funding institutions, as well as to the agents of the nominees and winners of the European Film Awards. Furthermore, this information may be stored in order to fulfill our reporting obligations to the funding institutions and for other statistical evaluation.

Other personal data will be deleted as soon as the purpose for retaining such data ceases to apply, i.e. four weeks after the European Film Awards took place. Notwithstanding the generality of the foregoing, data may be stored if required by Union of Member State law to which we are subject.

Data will also be blocked or deleted if a retention period prescribed by laws and regulations expires, unless there is a need for further storage of the data for the conclusion of fulfillment of a contract.

Please note that during all official events of the EFA Weekend photo and video recordings are made, which may be used in digital and/or in printed media for press information and public relations. For details please see our Privacy Policy.

Participating in the European Film Awards implies the unconditional acceptance of the above conditions.

The data protection officer of European Film Academy e.V. is Rainer Pyls. He may be contacted using the contact details provided above as well as at privacy@europeanfilmacademy.org. For further information please see our Privacy Policy.

Kaffibarinn (Reykjavik, Iceland)

One of the oldest bars in Reykjavik, Kaffibarinn has been “Serving thirsty people since 1993”. A cozy café during the day, it turns into a cool party place with an impressive DJ line-up and the crowds spilling out into the courtyard until early morning.

Located in a red little house in central Reykjavik, the bar is most known for its representation in the cult film 101 REYKJAVIK (2000) by Baltasar Kormákur, featuring Hilmir Snær Guðnason as the antihero with a compelling, confused, and often hilarious sexual universe, and Victoria Abril as the passionate Spanish flamenco teacher.

It took a while for Iceland’s national cinema to shift its gaze from the countryside to the capital. Indeed, Reykjavík wasn’t turned into a genuinely dynamic setting for film narratives until the 1990s and it took Baltasar Kormákur’s 101 REYKJAVIK (2000), based on Hallgrímur Helgason’s popular novel of the same name, to firmly establish the urban lifestyle of young people as a pertinent thematic paradigm for contemporary films. In one way, Kormákur’s film channelled promotional discourse aiming to market Reykjavík as a hotspot for cool alternative music (think Björk and Sigurrós) and as the “party capital of the world”, populated by beautiful blonde women and characterised by an unhinged drinking culture. In another, it turbo-charged that very image and central to the hedonistic imaginary of the film is Kaffibarinn, the smallest, sweatiest and coolest night-spot of central Reykajvík, and the location of several of the film’s key scenes. In what constitutes a charming nexus of fiction and reality, Helgason, author of the novel, and several of the actors in the film, along with Kormákur, who actually owned Kaffibarinn at the time (with, reportedly, Damon Albarn of Blur), were known to be bar regulars. Kaffibarinn would go on to play an important role as set and setting for films and music videos for the next two decades and still stands as one of Reykjavík’s coolest spots and a popular venue for unhinged partying.

Back to table of contents.

Accreditation Form

1. Personal data

Are you a EFA Member?

2. Represented media outlet

Company address

Contact

Media type and language

Position

Editor’s confirmation

3. Type of accreditation

Thank you for submitting the accreditation application, we will contact you shortly!

Kaffibarinn (Reykjavik, Iceland)