Accreditation Form

34th European Film Awards
Berlin

PLEASE NOTE:

Accreditation to the European Film Awards is limited to people who have been fully vaccinated against Covid-19 or who have recovered after a Covid-19 infection – provided they do not show typical Covid-19 symptoms.

A proof of vaccination or recovery must be digitally verifiable with an EU Digital COVID Certificate – printed QR codes are also digitally verifiable.

The mask requirement and the requirement to maintain a minimum distance will then no longer apply indoors.

For more detailed and up-to-date information on traveling to Germany, as well as a current list of risk areas, please visit the web pages of the Federal Foreign Office of Germany.

1. Personal data

Are you a EFA Member?

Yes No

First name

Last name

Phone

E-mail

CC to (editor, assistant) Optional

2. Represented media outlet

Name of media outlet

Section / programme Optional

Company address

Street address

Postal code

City

Contact

Phone

General e-mail

Media type and language

Other

Language(s)

Position

Other

Editor’s confirmation

I hereby confirm that the representative has been commissioned to report from the European Film Awards

Full name

Postal code

Phone

E-mail

Date

City

3. Type of accreditation

Photo TV Media

Additional comments

I agree to the following Terms and Conditions of the media accreditation procedure of the European Film Academy for the European Film Awards

By submitting the accreditation form, the media representative accepts and agrees to the following:

The entered and transmitted personal data will be stored in the European Film Academy database and used to contact you in connection with the accreditation process and for information purposes concerning the European Film Awards.

Representative’s name, media outlet and country may be passed on to other accredited media representatives, to our partners, sponsors and funding institutions, as well as to the agents of the nominees and winners of the European Film Awards. Furthermore, this information may be stored in order to fulfill our reporting obligations to the funding institutions and for other statistical evaluation.

Other personal data will be deleted as soon as the purpose for retaining such data ceases to apply, i.e. four weeks after the European Film Awards took place. Notwithstanding the generality of the foregoing, data may be stored if required by Union of Member State law to which we are subject.

Data will also be blocked or deleted if a retention period prescribed by laws and regulations expires, unless there is a need for further storage of the data for the conclusion of fulfillment of a contract.

Please note that during all official events of the EFA Weekend photo and video recordings are made, which may be used in digital and/or in printed media for press information and public relations. For details please see our Privacy Policy.

Participating in the European Film Awards implies the unconditional acceptance of the above conditions.

The data protection officer of European Film Academy e.V. is Rainer Pyls. He may be contacted using the contact details provided above as well as at privacy@europeanfilmacademy.org. For further information please see our Privacy Policy.

NORWAY: Vega Scene, Oslo

Vega Scene in Oslo (picture: Johnny Vaet Nordskog)

By the river in the eastern part of Oslo you will find a red squared building. This is us – Vega Scene. Vega Scene is a vibrant venue for art-cinema, contemporary theatre, and debate. Further, a hangout spot where audience and industry get together, share, discuss and gain new knowledge of the world through art.

Since opening in November 2018, Vega Scene has been Norway’s first private, non-commercial cinema alternative. Our curated film program sits at the intersection of Art and Independent Cinema, thoughtfully selected by our program director in cooperation with a program committee.

Vega Scene screens European films year-round, and during the Month of European Film, we’re featuring titles like WHEN THE LIGHT BREAKS (Rúnar Rúnarsson, 2024), THE ROOM NEXT DOOR (Pedro Almodóvar, 2024), DYING (Matthias Glasner, 2024), and THE SUBSTANCE (Coralie Fargeat, 2024). Many of these films draw a large audience here, making us a leading cinema for some of these films in Norway.

This season also brings notable Norwegian films such as DREAMS (Dag Johan Haugerud, 2024), INVITATION TO SELF-EXAMINATION (Paul Tunge, 2024), LOVABLE (Lilja Ingolfsdottir, 2024), and ARMAND (Halfdan Ullmann Tøndel, 2024)—the latter two awarded at Karlovy Vary and Cannes.

Each month, we select a family film; this month we’re showing the French Sirocco and The Kingdom of the Winds (Benoît Chieux, 2023) and the Norwegian Todd and Super-Stella (Mari Monrad Vistven, 2024).

In collaboration with the Goethe-Institut Norway, we’re hosting German Film Days in November. We are celebrating the 70th anniversary of German Films, the German film export organisation. First, we’re rewinding to the 90s with RUN, LOLA, RUN on 2 November, followed by a free screening and Norwegian premiere of Edward Berger’s award-winning ALL QUIET ON THE WESTERN FRONT on 23 November. After these highlights, we’re ready for the full German Film Days program from 25 to 29 November 2024, with new German Films that can cannot be seen elsewhere in Norway.

On 1 December, we continue our annual tradition of Christmas screenings of the long version of Ingmar Bergman’s FANNY AND ALEXANDER. The audience will have the option to order dinner and spend the day at Vega with Bergman’s opus.

To ensure a longer life for our movies we have started a curated VOD platform, Vega Hjemmekino. This also makes our program available for audiences across the country.