Accreditation Form

34th European Film Awards
Berlin

PLEASE NOTE:

Accreditation to the European Film Awards is limited to people who have been fully vaccinated against Covid-19 or who have recovered after a Covid-19 infection – provided they do not show typical Covid-19 symptoms.

A proof of vaccination or recovery must be digitally verifiable with an EU Digital COVID Certificate – printed QR codes are also digitally verifiable.

The mask requirement and the requirement to maintain a minimum distance will then no longer apply indoors.

For more detailed and up-to-date information on traveling to Germany, as well as a current list of risk areas, please visit the web pages of the Federal Foreign Office of Germany.

1. Personal data

Are you a EFA Member?

Yes No

First name

Last name

Phone

E-mail

CC to (editor, assistant) Optional

2. Represented media outlet

Name of media outlet

Section / programme Optional

Company address

Street address

Postal code

City

Contact

Phone

General e-mail

Media type and language

Other

Language(s)

Position

Other

Editor’s confirmation

I hereby confirm that the representative has been commissioned to report from the European Film Awards

Full name

Postal code

Phone

E-mail

Date

City

3. Type of accreditation

Photo TV Media

Additional comments

I agree to the following Terms and Conditions of the media accreditation procedure of the European Film Academy for the European Film Awards

By submitting the accreditation form, the media representative accepts and agrees to the following:

The entered and transmitted personal data will be stored in the European Film Academy database and used to contact you in connection with the accreditation process and for information purposes concerning the European Film Awards.

Representative’s name, media outlet and country may be passed on to other accredited media representatives, to our partners, sponsors and funding institutions, as well as to the agents of the nominees and winners of the European Film Awards. Furthermore, this information may be stored in order to fulfill our reporting obligations to the funding institutions and for other statistical evaluation.

Other personal data will be deleted as soon as the purpose for retaining such data ceases to apply, i.e. four weeks after the European Film Awards took place. Notwithstanding the generality of the foregoing, data may be stored if required by Union of Member State law to which we are subject.

Data will also be blocked or deleted if a retention period prescribed by laws and regulations expires, unless there is a need for further storage of the data for the conclusion of fulfillment of a contract.

Please note that during all official events of the EFA Weekend photo and video recordings are made, which may be used in digital and/or in printed media for press information and public relations. For details please see our Privacy Policy.

Participating in the European Film Awards implies the unconditional acceptance of the above conditions.

The data protection officer of European Film Academy e.V. is Rainer Pyls. He may be contacted using the contact details provided above as well as at privacy@europeanfilmacademy.org. For further information please see our Privacy Policy.

Stradun (Dubrovnik, Croatia)

In its hundred-year-long cinematic history, the streets, city walls and palaces of Dubrovnik have provided inspiration to numerous filmmakers. Dubrovnik’s well-preserved and unique architectural harmony, particularly its main pedestrian street, Stradun (today’s appearance of which dates back to the 17th century), offer an abundance of filmic expressions.

photo of Stradun high street in Dubrovnik — Stradun (picture by Roy Zerloch)

Thus, the cavalry of the Mexican army passes down Stradun in the Euro-western, THE TASTE OF VIOLENCE by Robert Hossein (1961), while some time later the Fascist occupation army does the same in the Yugoslav film OCCUPATION IN 26 PICTURES by Lordan Zafranovic (1978), based on historical events of World War II. With minimal modifications, Stradun is easily transformed into Goya’s Madrid (GOYA, OR THE HARD PATH OF KNOWLEDGE by Konrad Wolf, 1971) or papal Rome (THE POPE MUST DIE by Peter Richardson, 1991).

It is also frequented by well-known superheroes, in CAPTAIN AMERICA by Albert Pyun (1990), and the somewhat less famous but equally successful ones in THE THREE FANTASTIC SUPERMEN by Gianfranco Parolini (1967). In more recent times, thanks to the growing popularity of Dubrovnik as a filming location, spacecrafts from a distant galaxy have flown over the city’s central street (STAR WARS: THE LAST JEDI by Rian Johnson, 2017), while rebels led by Robin Hood have march down it (ROBIN HOOD: ORIGINS by Otto Bathurst, 2018). All of them have been drawn by the warmth and the light of Stradun, Dubrovnik’s living room, where everyone feels welcome and at home.

Back to the table of contents.

Accreditation Form

1. Personal data

Are you a EFA Member?

2. Represented media outlet

Company address

Contact

Media type and language

Position

Editor’s confirmation

3. Type of accreditation

Thank you for submitting the accreditation application, we will contact you shortly!

Stradun (Dubrovnik, Croatia)