Accreditation Form

34th European Film Awards
Berlin

PLEASE NOTE:

Accreditation to the European Film Awards is limited to people who have been fully vaccinated against Covid-19 or who have recovered after a Covid-19 infection – provided they do not show typical Covid-19 symptoms.

A proof of vaccination or recovery must be digitally verifiable with an EU Digital COVID Certificate – printed QR codes are also digitally verifiable.

The mask requirement and the requirement to maintain a minimum distance will then no longer apply indoors.

For more detailed and up-to-date information on traveling to Germany, as well as a current list of risk areas, please visit the web pages of the Federal Foreign Office of Germany.

1. Personal data

Are you a EFA Member?

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First name

Last name

Phone

E-mail

CC to (editor, assistant) Optional

2. Represented media outlet

Name of media outlet

Section / programme Optional

Company address

Street address

Postal code

City

Contact

Phone

General e-mail

Media type and language

Other

Language(s)

Position

Other

Editor’s confirmation

I hereby confirm that the representative has been commissioned to report from the European Film Awards

Full name

Postal code

Phone

E-mail

Date

City

3. Type of accreditation

Photo TV Media

Additional comments

I agree to the following Terms and Conditions of the media accreditation procedure of the European Film Academy for the European Film Awards

By submitting the accreditation form, the media representative accepts and agrees to the following:

The entered and transmitted personal data will be stored in the European Film Academy database and used to contact you in connection with the accreditation process and for information purposes concerning the European Film Awards.

Representative’s name, media outlet and country may be passed on to other accredited media representatives, to our partners, sponsors and funding institutions, as well as to the agents of the nominees and winners of the European Film Awards. Furthermore, this information may be stored in order to fulfill our reporting obligations to the funding institutions and for other statistical evaluation.

Other personal data will be deleted as soon as the purpose for retaining such data ceases to apply, i.e. four weeks after the European Film Awards took place. Notwithstanding the generality of the foregoing, data may be stored if required by Union of Member State law to which we are subject.

Data will also be blocked or deleted if a retention period prescribed by laws and regulations expires, unless there is a need for further storage of the data for the conclusion of fulfillment of a contract.

Please note that during all official events of the EFA Weekend photo and video recordings are made, which may be used in digital and/or in printed media for press information and public relations. For details please see our Privacy Policy.

Participating in the European Film Awards implies the unconditional acceptance of the above conditions.

The data protection officer of European Film Academy e.V. is Rainer Pyls. He may be contacted using the contact details provided above as well as at privacy@europeanfilmacademy.org. For further information please see our Privacy Policy.

Six New Treasures of European Film Culture

Starting a new annual tradition, the European Film Academy designates six further places as “Treasures of European Film Culture”. With the Treasures, the Academy celebrates places of a symbolic nature for European cinema, places of historical value that need to be maintained and protected not just now, but for generations to come. New places are the title-giving house of JEANNE DIELMAN, 23, QUAI DU COMMERCE, 1080 BRUXELLES, from Chantal Akerman’s classic, Prague’s Automat Svět from THE WORLD CAFÉ by Věra Chytilová, Helsinki’s emblematic Senator’s Square, the impressive Cahir Castle in Ireland, the Cinémathèque de la Ville de Luxembourg and Prospect Cottage, former home and sanctuary of the exceptional film artist Derek Jarman.

“The Treasures form a growing network of memorable places people can visit, reminding them of the great and remarkable history of European cinema. We also put emphasis on including in our activities those outside the mainstream, films and their creators who might otherwise be forgotten,“ says Matthijs Wouter Knol, CEO and Director of the European Film Academy. “In this context, I’d like to invite everyone to suggest places the European Film Academy might want to consider as Treasures of European Film Culture. We want all countries in geographical Europe to be a part of this network and it’s particularly important to us to add countries to our map of European film heritage that we have been missing so far.”

The Treasures of European Film Culture are part of the European Film Academy’s expanded film heritage activities, which started in 2022. The new European Film Heritage department has since then initiated a network of national film academies, cinematheques and film archives dedicated to the support and promotion of classics from our continent.

Part of the heritage activities is also the “In Memoriam“ section of the European Film Awards, which premiered at last year’s awards ceremony and commemorated European cinema colleagues who passed away.

Added to the existing 35 Treasures are now:

BELGIUM:
23, Quai du Commerce, Brussels

from the iconic film JEANNE DIELMAN, 23, QUAI DU COMMERCE, 1080 BRUXELLES by Chantal Akerman (1975). The film was chosen as “The greatest film of all time” in the decennial poll of the renowned film magazine Sight & Sound in 2022. No other film made by a woman had ever even reached the top ten.

CZECH REPUBLIC:
Automat Svět, Prague

From THE WORLD CAFÉ by Věra Chytilová (1965)

FINLAND:
Senaatintori, Helsinki

For THE KREMLIN LETTER by John Huston (1970), REDS by Warren Beatty (1981), GORKY PARK by Michael Apted (1983) and NIGHT ON EARTH by Jim Jarmusch (1991)

IRELAND:
Cahir Castle, County Tipperary

For BARRY LYNDON by Stanley Kubrick (1975), EXCALIBUR by John Boorman (1981), THE GREEN KNIGHT by David Lowery (2021) and THE LAST DUEL by Ridley Scott (2021)

LUXEMBOURG:
Cinémathèque de la Ville de Luxembourg

For its continuous dedication to the preservation and promotion of international film heritage.

UK:
Prospect Cottage, Dungeness, Kent

former home and sanctuary of artist, filmmaker, gay rights activist and gardener Derek Jarman