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    WITHOUT AIR

    WITHOUT AIR
    ELFOGY A LEVEGŐ
    Hungary, Romania

    SYNOPSIS

    Ana, a literature teacher, is being accused of misconduct for suggesting students Agnieszka Holland’s TOTAL ECLIPSE to her 17-year-old students so they can better understand Rimbaud’s work. She has to decide whether to stand up for the values she represents or to withdraw quietly. She starts an absurd struggle to justify herself, but the school’s principal Eva slowly withdraws, and this starts to affect well going personal relationships. The local press writes about the case, and the scandal that follows has unforeseeable consequences for her life, and the life of the student, Victor, whose father makes the complaint. The main themes of the film are – among others – the questions of acceptance, being a teacher, the nature of power and oppression.

    CREDITS

    Directed by: Katalin Moldovai
    Written by: Zita Palóczi, Katalin Moldovai
    Produced by: Béla Attila Kovács, András Muhi, Katalin Moldovai
    Cinematography: András Táborosi
    Editing: Orsolya Soltész
    Production & Costume Design: Gyopár Bocskay
    Make-Up & Hair: Eszter Laura Iván, Bence Mányoki
    Original Score: Tibor Cári
    Sound: Gábor Kerekes
    Casting: Zsófia Muhi
    Cast: Ágnes Krasznahorkai (Ana Bauch), Soma Sándor (Viktor, the high school student), Tünde Skovrán (Éva Steiner, the school director), Áron Dimény (Mark, the teacher)

    STATEMENT OF THE DIRECTOR

    The inspiration for the movie stems from a newspaper article I came across a few years ago. What captivated me was the sheer absurdity of the story. For a decade, no-one had expressed any concerns about the teacher’s methods of teaching. She was a dedicated individual striving for excellence, firmly believing in the paramount importance of education. However, a complaint from a student’s father triggered a series of absurd events that raised profound questions within me.

    How is it possible for someone’s life to be utterly shattered for no valid reason? What influence does our Eastern European heritage have on our daily lives, and how does it manifest itself?

    I saw this story as an opportunity to delve beneath the surface, peering into the depths of our transgenerational heritage and attempting to uncover its truths.

    • Feature Film Selection 2024